ED: Throughout most of The Dressmaker’s War, Ada Vaughan is tenacious in her ability to stay alive. But even after surviving Nazi imprisonment and wartime Europe, Ada is ultimately defeated by the justice system of her own country—unfairly, it seems! Why did they prosecute her so zealously? Would a woman like Ada have ever gotten a fair trail, at that time in England?
MC: Ada did murder Stanley/Stanislaus. That was why she was prosecuted. Nowadays, a defense would plead extenuating circumstances and probably convict her of the lesser crime of manslaughter. But post-war Britain was a society divided by class, gender (and, increasingly, race.) The political and justice system reflected the prejudices of the time. Universal suffrage was secured in 1928, less than twenty years before the end of the Second World War. There was no gender equality. Parliament was dominated by men. Similarly, the judiciary. There were no women judges (the first was appointed in 1962), very few women lawyers. Women could sit on juries but there was a property qualification which in effect barred them, for few women owned or rented property in their own name. Furthermore, lawyers cost money and the poor could not pay for a good lawyer. The legal odds were stacked against Ada.
So were the civil odds. Women who murder transgress social and gender norms. The cases of Edith Thompson, hung for murdering her husband in 1923, and Ruth Ellis, executed in 1955 for the murder of her lover are examples of what would now be considered gross miscarriages of justice. Ada’s abuse at the hands of Stanislaus was historic. Today, the court would have a more sympathetic understanding of the role of long-term abuse as a motive in murder, but then there was no such defense. Ada was sexually loose, which again transgressed acceptable behavior and would be enough to discredit her evidence. She was working class, in a society riddled with class division and snobbery. She was independent, at a time when women were being forced back into the home as part of the post-war drive to ‘normality’ and the reclamation of employment for discharged servicemen. Finally, the post-war narrative of victory had no tolerance for traitors, and stories of survival such as Ada’s blurred the lines between survival and collaboration. She became, in effect, a scapegoat.
Ruth Ellis, the last woman to be executed in Britain, in 1955, for the murder of her lover, David Blakely. She had suffered violent abuse from him which was not taken into account at her trial, and was poorly represented by her legal team.